HE MAY HAVE SPENT over 40 years as a driving force behind one of the biggest bands in the world, but for the last decade Queen’s Brian May has made almost as much news with his extra-rockular activities.
Joining badgers and black holes among the Renaissance axe-man’s areas of expertise is stereophotography, and May’s latest project in that line is Diableries: a painstakingly researched history of the satirical and politically charged 3D postcards produced in France throughout the 1850s, depicting devils, skeletons and other spooky stuff.
The hellish, parallel universe of the Diableries is brought to life via The Owl Stereoscope. Designed by May and included in each copy of the book, it allows the reader to view the 180 eerie, often beautiful, dioramas in their full three-dimensional glory.
The book (co-written with Denis Pellerin and Paula Richardson Fleming) is May’s second stereoscopic venture following 2009’s A Village Lost And Found.
“I’m always looking for another world,” May tells MOJO. “With the Diableries it feels like you can walk right into that place. That’s the wonder of stereoscopic pictures. When you unlock their magic, they offer a very immersive experience.”
May’s role as publisher looks set to continue with a new book due next year that will chart the creation of The Red Special – the guitar that May built by hand with his father in the mid-‘60s and is partly responsible for defining the Queen sound (ever the collector, May still has all the original blueprints). Then there’s the continued possibility of new recordings and new tours. As Queen Archivist Number One, May is the man with the power to kickstart the Queen machine. “There’s more in there than we thought”…
How did you come across Diableries?
I got my first card in Portobello Market in 1973. It wasn’t in particularly good condition, but it didn’t spoil the illusion and the magic. Lionel Hughes, who’s now a director at Bonhams, was then a Portobello Road trader and he had stack of stereo cards. Back then there really wasn’t any information about them at all and they were very, very hard to find. Eventually, I compiled a list of the phone numbers of all the stereoscopic card dealers around the world, so when Queen started touring, I would get up in the morning and go and find them. Once I was lucky enough to find four boxes of Diableries, which has never happened to me again. I started looking through the phone books in Paris to see if I could find any descendants of [Diableries sculptors] Habert and Hennetier, but my French is not that great so I didn’t get too far. Later I met [co-author] Denis Pellerin and we started to build up a complete picture of these people.
Was it a popular form of entertainment?
Yes, but they weren’t particularly cheap, so the average worker of the day would probably be only able to buy one a week. Remember there was no TV, no internet, no radio, no cinema. Stereoscopic pictures were a new window on the world.
What does your interest in stereoscopic photography give you that music doesn’t?
It uses a different part of the brain. I’ve always had many passions and sometimes they link together in strange ways and sometimes they don’t. I suppose stereo photography fulfills a thirst in me for knowledge, beauty and for solving mysteries. I’m not the sort of person to sit on a beach and do nothing – I like to be creating and to be a channel for other people to enjoy things. I love that process.
“I’ve been able to fulfill a lot of dreams over the last 10 years”
You’ve always been a collector…
I am a compulsive collector. I have, as far as possible, collected everything that Queen ever put out. It’s actually incredibly useful. You would have thought these things were easy to get your hands on but they’re not. If we’re putting out a Queen release, I’ve normally got a copy of the original artwork and the master tapes.
You’re a man who wears many hats these days…
Yes, I’ve been able to fulfill a lot of dreams over the last 10 years and I consider myself a very lucky man. So many of our dreams as musicians came true, but I have always had these other passions and since we haven’t been touring I’ve been able to pursue stereoscopic photography, complete my PHD in Astronomy and work towards being a voice for animals, which takes up a lot my time these days. I feel like I’ve transformed myself over the last decade. I still love to play music; it’s just that I don’t do it every moment of every day any more.
And once the Queen train starts moving, it must be hard to get off…
That’s right. We had a very successful concert with Adam Lambert for I Heart Radio [in September] and the phone has not stopped ringing since. Dates are a possibility, but I am nervous of pressing that button. Because if I do, I won’t see home for a year.
Check out eight of the Diableries below:
Salle De Jeu Chez Satan
Satan's Gaming Room
Revue De La Garde Infernale
Review Of The Infernal Guard
Une Machine Infernale
An Infernal Machine
Les Noces Du Diable
The Devil's Wedding
Les Pompiers De L'Enfer
The Fireman From Hell
Le Jugement Dernier
The Last Judgement
Le Château Du Diable
FOR MORE FROM BRIAN MAY, INCLUDING RELEASE NEWS REGARDING THE FREDDIE MERCURY AND MICHAEL JACKSON TAPES, SEE THE NEXT ISSUE OF MOJO MAGAZINE, ON SALE NOVEMBER 26.
Diableries, by Brian May, Denis Pellerin & Paula Fleming, published by The London Stereoscopic Company Ltd, £40, is out now. For signings or to see Brian May & co-authors present the book in 3D visit www.londonstereo.com/book_events
BRIAN MAY PHOTO: Yves Salmon