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Features Disc of the day

Paul Duncan
Be Careful What You Call Home



Second album of ambient folk beauty from 25-year-old Brooklynite.

Paul Duncan

Got it for Christmas 2005, stuck it on the iPod, forgot about it. And then… slowly, it started to creep in. Brushed jazz drums, acoustic guitar, Bryter Later-esque strings, and in the middle of it all, Brooklyn-based Texan Duncan's soft Lou Barlowesque tenor, drifting in and out of mix, the way extraneous noises bleed into daytime dreams. At first, I couldn’t date it, despite occasional synth swirls, and comparisons to Rundgren or early Badly Drawn Boy. Some lost classic from 2001? 1974? But Eno/Talk Talk fan Duncan’s narcoleptic storytelling and distant nighttime sounds soon took hold. Listening to the album as a whole, instrumentals of rainfall, cars-on-gravel and windchime-static breaking up the misty, lulling songs, it sounds, well, right – calming, assured, beautiful – and you can see why the man himself would reckon, as he suggests on his myspace, that his music sounds like this. As the man sings on blissful opener, In A Way: “In a time of wordy music/ Ba ba ba ba ba ba ba. Aaaaah!"

Andrew Male

Posted by Danny_Eccleston at 6:00 AM GMT 28/10/2008

Further Listening

Paul Duncan To An Ambient Hollywood (Hometapes, 2003)

Jim O’RourkeEureka (Domino, 1999)


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