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News
U2 Album Still Not Finished
6:00 AM GMT 24/11/2008
But Edge confident as deadline looms, learns MOJO’s Danny Eccleston.
WITH THE RELEASE of U2’s 12th studio album delayed until February, and the band still mixing furiously in a London studio MOJO are unable to name for fear of an instant fan-siege, guitarist The Edge has called the MOJO office with a progress report.
In line with U2’s late preference for enigmatic titles, the album seems certain to be called No Line On The Horizon – although Edge insists that anything can still change (U2 have even been known to record backing vocals in the mastering suite).
He goes on to reveal that they’ve shelved the songs recorded with Rick Rubin in 2006 and that much of the material dates from sessions with stalwarts Brian Eno and Daniel Lanois, who co-write. Confirmed track titles include Moment Of Surrender and Unknown Caller.
There follows the director’s cut of the interview reported in the issue of MOJO magazine that’s on the shelves right now…
MOJO: Well, my first question has to be, have you finished yet?
Edge: [Coolly] Not quite. That’s why we’re here.
So, why finish up in London?
Well, it’s good to get out of familiar surroundings when you’re looking for a different perspective. Get out of the comfort zone.
If you’d stayed in Dublin, would you have just carried on producing material rather than bringing everything to a conclusion?
Maybe. Also, a good mix room is always important. Our studio in Dublin is more like a glorified rehearsal room really. It doesn’t have proper acoustic treatments for mixing and whatever. So we always mix in a studio that’s properly set up for that process.
Is the album still going to be called No Line On The Horizon, or is that a red herring?
It’s not totally firmed up but it’s still the working title.
So, what the hell does it mean?
It’s an image. It’s an image, Bono tells me [laughs]. It’s like when you’re moving forward, but you’re not exactly sure what you’re heading towards – that moment where the sea and the sky blend into one. It’s an image of infinity, I suppose – a kind of Zen image.
Is it a metaphor for how U2 make their records? No deadline on the horizon?
[Laughs] Guilty your honour! We were talking about this. Our work process is all about allowing inspiration to arrive at any time during the process. So there’s no finality, there’s no formality, until it’s in the shops. U2 albums never get finished; they just get released.
So do you think that helps the record? You can use material you started months ago, but as long as you’re re-examining it right at the last it can still sound contemporary?
Yes, I think that’s true. Song titles, lyrics, melody lines can change right up until the last minute. I think our records are always… it’s the last few weeks when things really come into focus. It might take us a long time to establish the basis of the record musically, but then a lot of stuff will change.
Famously, Chris Blackwell came down when we were doing Achtung Baby and with a week to go he said, There’s just no chance you’re gonna finish this album; I’ll come back in a month’s time and check on your progress. So he left town, and sure enough we finished at the end of that week! It’s like this ground rush. You seem to be going nowhere and then suddenly you hit the last period and then everything starts to move and everything clicks into place. It’s just the way we do it because I suppose inspiration is the ultimate thing for us. It’s not craft. So when things start to really get close, it’s a really inspiring time and everyone just gets onto a whole other level of creativity and we go into overdrive and all these ideas start coming through.
Has anything survived from the first bout of sessions [from September 2006], the Rick Rubin material?
We actually laid all that stuff to one side. Really out of deference to Rick and that set of songs we just said, Ok, that’s that, and we drew a line. So none of the Rick material went into this project. Everything has been written subsequently.
Is that because you weren’t that keen on it in retrospect?
I think there are some fantastic ideas there and they will, I’m sure, be finished off and see the light of day. We just felt like we wanted to put off the decision about what kind of record we wanted to make. And then we went in with Brian [Eno] and Danny [Daniel Lanois], literally just as an experiment to see what would happen. And suddenly there was this excess of stuff, ideas… and we just thought, OK, this is clearly where we are at our most potent at this moment, working with Brain and Danny, so let’s follow that idea down the road and we’ll get back to the material we started with Rick at some point.
What were the Rubin tracks like? Were they unusual for U2? He’s quite hands-off isn’t he, as a production “entity”?
Rick’s just an amazing intelligence and a guy with a huge love of music and an instinct for it. He gave us great advice as much as anything. His whole thing is, Don’t go near the studio until you know exactly what you want to do… which of course is the opposite of how we usually work.
But we were following Rick’s approach with Rick and we were working on songs and working on ideas and they’re still there. So I’m still excited by the possibility of trying that approach. It reminds me of what happened on our first album [Boy, 1980]. We went in, we had all the tunes – although even then we didn’t have all the lyrics – we had all the arrangements down to the point where we could just go in and record the album. We could have done it in a day, and of course the backing tracks had a great completeness, because we knew exactly what the tunes were.
The way we do things now, there are drawbacks. I feel for Larry [Mullen, drums] sometimes. He’ll be playing drums to Song A and then somewhere along the line the whole song gets thrown out, but we keep the drums, and then something else happens over those drums. Then sometimes we’ll replace those drums at the very end because he plays differently depending on what the vocal is. So even if it’s the same tempo, the same backbeat, the same chords, if the vocal’s different, the drums don’t feel quite right. So, there is something to Rick’s approach and it just means you make all your decisions early… for better or for worse. Ultimately, I feel, for us, it is those last couple of weeks when you get those amazing new ideas.
How would you describe the overall personality of the new album?
It’s a record of two halves. One half is songs that came virtually fully-formed out of sessions we did with Brian and Danny – stuff we’ve only played once or maybe twice and that’s it: just the raw moment of creation. Then the other half is material we’ve kicked around a while and went through the usual cycle of versions and incarnations. It sounds like a U2 album but it doesn’t sound like anything we’ve done before and it doesn’t really sound like anything that’s happening at the moment.
Posted by Danny_Eccleston at 6:00 AM GMT 24/11/2008
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Comments
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I am so glad they put the Rick Rubio material aside! With all due to respect - for he is a great producer - all of his productions of the past few years sound alike. Brian and Danny are the way to go.
Posted by Sirena at 6:12 PM GMT 24/11/2008 Report Abuse
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oh yeah
Posted by ese conche at 9:46 PM GMT 24/11/2008 Report Abuse
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oh yeah
Posted by ese conche at 9:46 PM GMT 24/11/2008 Report Abuse
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This what makes a real band. singing with cute faces, dancing with those sexy boots and makes pop music for a living.
no wait... this is U2... sorry I made a mistake. lol
this project really defines what "music" should be. taking all the risk, if we all really look back what the Beach Boys "Pet Sounds" achieved. and the transition of the Beatles from Rubber Soul to the White Album. Music is definitely alive again.
It's like bringing vinyl to the kids. (well. though I have lots of Mp3. but still vinyl is the best)
like Guns and Roses ( Chinese Democracy) they say it was "overproduced" but I say it was the best Guns and Roses album I ever heard. 13 years. lol
unless Bono wants Re-title it with Chinese Dumplings Oh My God I'll wait 15 years for those Dumplings to be cooked lol...
oh wait. I waited 5 years
10 Years to go!
Peace!
Posted by Lee Marvin Tang at 5:23 AM GMT 25/11/2008 Report Abuse
Reply to this post
This what makes a real band. singing with cute faces, dancing with those sexy boots and makes pop music for a living.
no wait... this is U2... sorry I made a mistake. lol
this project really defines what "music" should be. taking all the risk, if we all really look back what the Beach Boys "Pet Sounds" achieved. and the transition of the Beatles from Rubber Soul to the White Album. Music is definitely alive again.
It's like bringing vinyl to the kids. (well. though I have lots of Mp3. but still vinyl is the best)
like Guns and Roses ( Chinese Democracy) they say it was "overproduced" but I say it was the best Guns and Roses album I ever heard. 13 years. lol
unless Bono wants Re-title it with Chinese Dumplings Oh My God I'll wait 15 years for those Dumplings to be cooked lol...
oh wait. I waited 5 years
10 Years to go!
Peace!
Posted by Lee Marvin Tang at 5:24 AM GMT 25/11/2008 Report Abuse
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No one of those bands that sounds old!!
or at least without inspiration!!
What's means U2 sounds like old stuff?
Not contemporary or fresh!!
I'm mean, don't good as:"Magic Universe" or
"Tour of the Universe"
Posted by Unreal Vertigo at 7:18 PM GMT 25/11/2008 Report Abuse
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YEAHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!
I've been waiting for five years that is white a lot, but never mind because for U2 I've got all the time in the world!
Posted by IRIS at 4:50 PM GMT 26/11/2008 Report Abuse
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YEAHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!
I've been waiting for five years that is white a lot, but never mind because for U2 I've got all the time in the world!
Posted by IRIS at 4:52 PM GMT 26/11/2008 Report Abuse
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YEAHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!
I've been waiting for five years that is white a lot, but never mind because for U2 I've got all the time in the world!
Posted by IRIS at 4:53 PM GMT 26/11/2008 Report Abuse
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where are they mixing in london ?
Posted by big nose at 7:59 PM GMT 28/11/2008 Report Abuse
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where are they mixing in london ?
Posted by big nose at 7:59 PM GMT 28/11/2008 Report Abuse
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I'm glad thy've delayed the album to be honest if its going to be worth it, an 8 minute track as well, I'm excited about that, although I'm glad its 21st century??
After mediocre albums from Coldplay, Oasis, The Killers, Snowpatrol etc....I really hope for my credibility sake they blow all the competition out of the water!!
Posted by David Garvin at 7:54 AM GMT 01/12/2008 Report Abuse
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RE: Sirena
ok, vamos aguardar, se os caras estão dizendo que vem inovação por aí, deve vir mesmo. Só espero que seja melhor, muito melhor, que HDAB. Porque hoje, tirando o calor do momento, apenas 2 musicas sobreviveram : City of Blinding Lights e YEAHYEH
Posted by andre at 3:01 PM GMT 02/12/2008 Report Abuse
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RE: Sirena yes i agree brian and danny are the future and will produce excitting new ideas to help blend the bands decision making on the new alban. I cant wait for the next chapter to open in February.
Posted by phil cakebread at 5:40 PM GMT 04/12/2008 Report Abuse
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Come out and say it Edge -- U2 won't record with Rick Rubin again....you said it in a roundabout way.
Posted by Milly Vanilla at 6:24 AM GMT 05/12/2008 Report Abuse
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Good days , I wish.
Posted by FiedoFemTig at 10:16 AM GMT 07/02/2009 Report Abuse
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lukvo snzj vmfikjza dhpbmix khsgxu uyai lfdjob
Posted by qdwt npejdw at 4:39 PM GMT 21/03/2009 Report Abuse
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mm.. strange.
Posted by Real Amature Teen at 5:38 PM GMT 08/10/2009 Report Abuse
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