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Hank Crawford
More Soul



When Brother Ray’s baritone sax player proved he was a king of the alto.

Hank Crawford

Many fine sax players passed through Ray Charles’ classic horn section of the late ’50s to mid-’60s, but two stand head-and-shoulders above the rest, a fact we were reminded of last month when the death was announced of David ‘Fathead’ Newman. Fathead: Ray Charles Presents David Newman has already featured as a MOJO Disc Of The Day, but More Soul by Hank Crawford stands tall beside it as a second imperishable reminder of the section’s pre-eminence. Crawford, who joined the Charles band in 1957, primarily held down the role of baritone sax player with Brother Ray, but like his boss he was an accomplished and expressive alto saxophonist. As well as allowing him to stretch out on that instrument, More Soul sees Hank in the role of arranger, another of his gigs with Charles. Essentially, this is the Ray Charles small band of the day, vamping after hours. Indeed, that October 7 in ’61 they had played at Harlem’s Apollo until 1am, taken the short ride down to Broadway and the Atlantic studios and the record, seven tracks, was finished before dawn, roughly in the time it takes a 2009 rock band to get a bass drum sound, in fact. In a bold move, particularly for a septet, Crawford’s arrangements dispense with piano, aside from a little comping by Hank, which vividly opens out the sound of brass and horns, and gives a greater weight and clarity to the bass/drums rhythm section of Edgar Willis and Milt Turner. Newman’s sweeter-toned tenor was the perfect foil for Crawford’s raspier, heartfelt readings, and the latter’s reinterpretations here of the ballads Angel Eyes and Misty, are genuinely, bluesily, moving. Two James Moody pieces, Boo’s Tune and The Story, a hip, swinging take on Bobby Timmons’ Dat Dere and Crawford’s likeably skittish Four Five Six are other highlights on this exceptional companion piece to Fathead.

Geoff Brown

Posted by Ross_Bennett at 6:00 AM GMT 03/02/2009

Further Listening

David NewmanFathead: Ray Charles Presents David Newman (Atlantic, 1959)

Bobby TimmonsThis Here Is Bobby Timmons (Riverside, 1960)

Ray CharlesThe Great Ray Charles (Atlantic, 1956)


Related MOJO content:

Hank Crawford , Ray Charles

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  • Those Joelites are a defvnsiee crowd, aren’t they? I mean, compared to some of the critical lashings he’s gotten, my confused shrug about his Hall of Fame credentials is practically a five-star review.

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  • Those Joelites are a defvnsiee crowd, aren’t they? I mean, compared to some of the critical lashings he’s gotten, my confused shrug about his Hall of Fame credentials is practically a five-star review.

    Posted by Trist at 6:15 PM GMT 06/02/2012 Report Abuse

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  • Those Joelites are a defvnsiee crowd, aren’t they? I mean, compared to some of the critical lashings he’s gotten, my confused shrug about his Hall of Fame credentials is practically a five-star review.

    Posted by Trist at 6:16 PM GMT 06/02/2012 Report Abuse

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  • After sieeng the corruption of the House, Senate (our secular 'temple') and other institutions, Jesus (John 2:14-16) would have 'made him a whip' and driven them all out with money changers, barters for favor, etc.

    Posted by Raren at 4:10 PM GMT 08/02/2012 Report Abuse

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  • After sieeng the corruption of the House, Senate (our secular 'temple') and other institutions, Jesus (John 2:14-16) would have 'made him a whip' and driven them all out with money changers, barters for favor, etc.

    Posted by Raren at 4:10 PM GMT 08/02/2012 Report Abuse

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  • After sieeng the corruption of the House, Senate (our secular 'temple') and other institutions, Jesus (John 2:14-16) would have 'made him a whip' and driven them all out with money changers, barters for favor, etc.

    Posted by Raren at 4:11 PM GMT 08/02/2012 Report Abuse

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