Rod Stewart - Every Picture Tells A Story
Rod the Mod finds his solo footing, headed for stardom, with the Faces in his wake.
6:00 AM GMT 22/06/2011
(Food/Parlophone, 1997)
Sun sets on Damon Albarn's Little England. "Look inside America," he urges. "She's alright."
Like Frankenstein repulsed by his monstrous creation, Damon Albarn believed Britpop was his to destroy. Hence Blur: partly a sop to Blur's grunge fifth column Graham Coxon, partly reflective of Albarn's own brief obsession with Pavement, it overspilled with downbeat moods, dirty guitars, references to hard drugs (the creeping, gouched-out Beetlebum) and the Britpop morning after (the dread-ridden Death Of A Party). The juddering funblast of Song 2 - so uncharacteristically mindless it nearly missed the cut - demanded Blur be reassessed and America took note. Blur were now the "whoo hoo guys", trading one albatross (Parklife) for another, but at least this one was a pension plan and indicative of irresistible pop instincts that ran deep, irrespective of style. They'd swopped DMs for Chuck Taylors, and found life beyond the so-called "Life" trilogy.
Danny Eccleston
Posted by Danny_Eccleston at 6:00 AM GMT 05/11/2009
Blur – 13 (Food/Parlophone, 1999)
Pavement – Brighten The Corners (Matador, 1997)
Pulp – This Is Hardcore (Island, 1998)
Rod the Mod finds his solo footing, headed for stardom, with the Faces in his wake.
6:00 AM GMT 22/06/2011
Last salvo of Ginsters Pasty-Warholism from Britpop ramraiders.
12:04 PM GMT 08/06/2011
An overlooked small wonder from an unpredictable career.
6:00 AM GMT 03/06/2011
Dry computer club Futurists, upon hitting implausible chart paydirt.
6:00 AM GMT 17/05/2011
Epic Danish jams, for when the neighbours get you down.
6:00 AM GMT 12/05/2011
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A really good musical transfiguration.
A kind of second life for them.
Posted by M.A.Melo at 10:43 AM GMT 10/11/2009 Report Abuse
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