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Harold Melvin & The Blues Notes
Harold Melvin & The Blues Notes



Why Teddy Pendergrass mattered.

Harold Melvin & The Blues Notes

One of the finest soul singers from the style's last golden age, Teddy Pendergrass has previously achieved MOJO Disc Of The Day eminence with his 1977 solo debut, Teddy Pendergrass. His death last week has demanded a second visit. This 1972 album by the group in which TP had once served as the drummer is the record that first brought the outstanding baritone to the fore. Philadelphia International founders Kenneth Gamble and Leon Huff signed Harold Melvin & The Blues Notes to their fledgling label in 1970 and were attracted to the powerful yet tender baritone of featured vocalist Teddy Pendergrass, somewhat of a dead ringer for The Dells' Marvin Junior's. Three exceptional performances on this debut established Teddy as the late '70s' soul force of nature. On I Miss You, Pendergrass is pleading and distraught; on Be For Real he's a sermonising philosopher; on If You Don't Know Me By Now he's a slightly wearied, still ardent lover trying for one last time to convince his woman that they should give their life together another chance. He has not yet developed the more overtly sexual style of his late-'70s solo recordings such as 1978's Turn Off Lights, and the reined-in style suits group work the better. With the Blue Notes, though not on this album, he would also venture into the arena of social commentary (Wake Up Everybody). He should have done so more often, because his declamatory preaching style was perfectly suited to such material.

Geoff Brown

Posted by Ross_Bennett at 6:00 AM GMT 25/01/2010

Further Listening

The O'Jays - Back Stabbers (Philadelphia International, 1972)

Billy Paul - 360 Degrees Of Billy Paul (Philadelphia International, 1972)

The Three Degrees - The Three Degrees (Philadelphia International, 1973)


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Harold Melvin & The Bluenotes

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